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previous blogs:

LATEST BLOG ° 2010/02/02 AUSO ° 2010/01/06 season preview ° 2009/12/29 Athlete of the decade ° 2009/11/30 ATP WTF & 09 ranking ° 2009/08/24 Daniel Koellerer ° 2009/07/12 Know Your GOAT ° 2009/06/28 Federer career grand slam ° 2009/05/03 Marco Mazzoni 0-15 interview ° 2009/04/29 Fuzzy Yellow Eyes ° 2009/03/01 80s-tennis.com °  2009/02/04 Nadal - Federer Australian Open 2009 ° 2009/01/21 www.quadorb.net/adc the new address ° 2008/12/14 Novak Djokovic interview - St. Anton Tennis Trophy ° 2008/11/17 Muito Obrigado Guga Kuerten ° 2008/11/12 Commentucci Interview ° 2008/10/12 David Foster Wallace ° 2008/09/28 A faithful tale fo how the Lord won the cup ° 2008/09/11 A second chance for Doubles ° 2008/04/10 Tennis Boom in Serbia ° 2008/03/27 Chris Lewis interview pt.3 ° 2008/03/26 Stefano Grazia about Tennis in Africa Pt.2 ° 2008/03/22 Tennis Profile Awards - 2008 TPA Blaward ° 2008/03/20 Stefano Grazia about Tennis in Africa Pt.1 ° 2008/03/19 Olympic Tennis and Tibet ° 2008/03/04 Andreas Seppi, Karin Knapp, Sartori & Boesso ° 2008/03/03 Chris Lewis interview pt.2 ° 2008/03/02 Class of 1995 juniors ° 2008/02/29 Chris Lewis interview pt.1 ° 2008/02/25 top 10 'watch list' ° 2008/01/27 OZ Open final ° 2008/01/26 Jo Buma Ye ° 2007/11/23 Becker got me into Tennis ° 2007/11/15 ubaldoscanagatta.com ° 2007/11/10 Agassi Black Lips ° 2007/10/26 New Davis Cup format

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2009/05/03

 Marco Mazzoni, Gulbis, Nadal, Nalbandian, Tsonga

An interview with Marco Mazzoni of 0-15 magazine

Marco Mazzoni writes for the Italian tennis magazine 0-15 www.zeroquindici.com which covers the reader spectrum of well-informed tennis enthusiasts, it comes in the A3 format with a particular love for the graphic layout and big sized photography. Apart from following the international tour for 0-15 Marco Mazzoni also runs a blog "Gesti Bianchi" http://doppiofallo.sport-blog.it in which he brings news and insider details about everything going on in the tennis world, and his own website www.marcomazzoni.com, that includes reportages and articles focused on the main tennis themes.

Avec Double Cordage: last year with Jo Wilfried Tsonga we had a relatively "old" player bursting into the midst of the top players seemingly out of nowhere with already 23 years of age. Do you think we will see more of such explosions, due to the increased amount of technical skills necessary to compete with the best and the frequent injury stops?

Marco Mazzoni: tennis is becoming more and more a physical sport, and this especially due to the latest technological evolutions of racquets and strings, let’s say from the year 2000 on, when this important development touched the new tennis generations. It is now more difficult for a player without huge physical strenght to become a great champion: the new racquets allow to hit stronger and more accurately and the latest strings allow to generate great top spin and precision on shots. The first example is Nadal, who is now dominating tennis: certainly talented, huge concentration and determination, but most importantly an extremely physical tennis. Nadal is the top of this new pyramid, and will probably be unique in the history (hope so!). To create new “Nadals” is already the goal of most coaches in the world, so for players with great technical talent and not so great physical stregth, it will be harder to be tennis champions. This, to explain why Tsonga exploded so late: he has suffered important physical trouble to the back and knees in the past, and a player like him, with great potentialities, has been able to give his best only for a short period of time, when healthy. Another player is Gilles Simon, who increasing the strength of his shots has been able to reach the top ten. A negative example of this modern tennis, on the other hand, is David Nalbandian, technically number 3 in the world behind Federer and Nadal, but due to his bad shape is struggling to enter in the quarterfinals of bigger tournaments. Even Novak Djokovic started 2009 very badly, compared to 2008 because of a slight shape decrease, underlining how important it now is to be 100% perfect, even for a strong player like him.

ADC: who were last year's new "teen-age entries" on the ATP tour that impressed you the most and who do you think will remain a permanent fixture amongst the top ATP ranks?

Marco Mazzoni: There are some young players I believe can become tennis blockbusters, but I am not sure about their physical and mental strength. Some names? I love the tennis of Ernests Gulbis: from the young Safin era I had not seen anybody able to hit the ball so fast and accurate with both forehand and backhand, together with an impressive serve. Another player is the Bulgarian Dimitrov, still very young, who impressed me for this fantastic all-court tennis and his fighting; if the physical part will sustain him, he could be a future champion. There are several other players with good prospective and shape, but they are not my favourites, as I prefer technical players. I will reveal you my personal “promise”: I have seen a Croatian 17 years old boy called Draganja: he has a technically splendid tennis, one-handed backhand, not too powerful but to my eyes only the 18 years old Roger Federer impresses me that much for his technique.

ADC: you have recently spent some time in Mexico, what is the situation of tennis like there? Is it true that team-tennis is an obstacle there for young professionals, who tend to focus more on team-tennis than on Futures and Challengers tournaments? Mexico has had some notable talents in the past and with the abundance of Challengers and Futures in the neighbouring USA it appears that there must be particular reasons for the lack of Mexican top 100 players.

Marco Mazzoni: the problems in Mexican tennis are various: the Mexican Federation has a lack of money and badly used, as there are too many political interests and contrasts to be able to use them for a single goal. Former tennis champion Raul Ramirez said an important problem is the lack of professional tennis coaches. In Argentina, ex-players have all created small teams, independent from the Federation, that thanks to some local sponsors have been able to help up to 3 players at a time, and so the movement has spread. This could be a good solution for Mexico too, but there are no well prepared coaches wanting to risk on International tennis, and the few well prepared coaches live inside the few high level clubs and tend to create good national players to win national competitions only. Players themselves prefer to risk less and not get out of the country with good earnings for the average incomes in Mexico: to try to become a professional player could mean 10 years of struggling without gain. Another big problem is that, in Mexico, it is impossible to access a club if you do not have a good social position, and so, humble people who will be ready to risk all to become professionals, are not able to access the structures. The classical tennis player in Mexico is a lawyer’s son practicing tennis in his free time, and who has no intentions on sacrifice as much as needed to be professional. It is a shame, as Mexicans do like tennis, the country is not that poor, and an important intervention of the national Federation would be needed, using the money to create small structures with low cost for young players so the few coaches can have a wider base to choose from.

Nadal, Gulbis, Nalbandian, Dimitrov
Nadal, Gulbis, Nalbandian, Dimitrov

ADC: the 0-15 magazine is one of three monthly tennis magazines with national distribution in Italy, how do you explain so much enthusiasm in Italy regarding tennis, with its more than 55 Challenger and Futures ATP tournaments, the abundance of Internet forums etc. and now with "Supertennis"
www.supertennis.tv even a TV station dedicated exclusively to tennis... when Italy after Adriano Panatta hasn't had a player able to compete with the best on a regular basis in over thirty years?

Marco Mazzoni: tennis in Italy, after the success of Adriano Panatta and the Davis Cup team, has become one of the most popular sports. In the eighties, several tennis clubs were opened everywhere in the country, allowing everybody to practice it, and fortunately many good coaches and trainers have been formed with great passion. And even if Italy has not had a champion for such a long time, this base has always been active thanks to he national championships in various categories. The birth of Pay-tv (in the 80’s the historical Capodistria, then transformed into Tele+ and then Sky TV) allowed tennis to be transmitted all year long. We would really need a champion: tennis in Italy is now loved and practiced, but having a figure like Alberto Tomba in tennis, it would also become “in” and tennis could become even bigger. During the 90’s , there was a period of crisis and many tennis clubs transformed the tennis courts into futsal-soccer on artificial grass fields. Fortunately, in the past 3 years, tennis has recovered a lot of young new players, and this still thanks to the teachers and clubs job, and partially to the Federation too, but especially what has never disappeared in Italy is the passion for tennis.

ADC: Adriano Panatta was the only one to beat Borg on the clay courts of Roland Garros, do you see anyone able to stand a chance against Rafa Nadal on the clay courts in 2009? Do you think Djokovic, Murray, Monfils or Del Potro could reach the final this time or will we see a re-edition of the past Nadal vs. Federer matches?

Marco Mazzoni: Federer…I don’t think so, also with the news regarding his future paternity, I think he will focus all his strength on winning Wimbledon again and defending the US Open title, having won it 5 times in a row. Djokivic doesn’t seem to be in a very good shape: his tennis is very shape-depending. Probably Murray has the best weapons to beat Nadal but not on clay. Something that nobody talks about but I strongly believe is that tennis on clay has the greatest crisis ever. This is because shots are too strong and fast, and players are created for hard courts only, the main surface today. Once upon a time, tennis on clay had a huge fascination as it is the most tactical surface, allowing lots of solutions and a kind of various tennis; now, Nadal is superior to everybody on clay but the negative fact is there are no other young clay court tennis players on the horizon. If Nadal keeps his physical shape, he will win the Roland Garros tournament also this year. Only Nalbandian in a great physical moment could beat him, or an incredible day of Tsonga, playing in France and with more than 40 aces!!!

ADC: how do you think Tsonga will fair on Wimbledon's grass courts, given the fact that his game is in some aspects similar to Safin's do you think Tsonga could do as well there as he did at the beginning and end of last season or do you think he will need more time to adapt to the low bounce etc. of grass?

Marco Mazzoni: If Tsonga will reach Wimbledon healthy, I think he will be the third favourite player to win the tournament. Murray will suffer a lot of pressure, so I don’t believe to much in him. Tsonga bases his tennis on his serve and forehand, and now, on grass, it is no longer players with serve and volley tennis but serve and forehand tennis, as Federer that dominate and naturally he won many of his titles there. And Tsonga can really be devastating on grass because of his power. It is a shame that heavier and larger balls, and higher-cutted grass allow to play from the baseline like on clay: see the victory and Nadal and his 2 finals.

ADC: this year adidas will return producing tennis racquets, do you think other big-business brands will follow, given the fact that many new markets in east Asia and eastern Europe like China, Japan, Taiwan, Serbia, Bulgaria, Latvia and the Baltic states are about to have top players? Do you think we will see some new racquets also by the more traditional English, French and Italian brands, perhaps as paint-brushes, or do you think that the racquet market is basically saturated?

Marco Mazzoni: there are many positive signs of an increase of interest on tennis from sports brands. For instance at the beginning on 2009, the return to tennis of Ellesse, a historical Italian brand that was missing from the pro tour since more than 10 years and there are rumours that the important French brand Colmar will be active in tennis next year. On the racquets side, Slazenger launches in this period their new racquet line, and Donnay is working hardly on a new racquet line to be launched next month. When a brand like Adidas enters so strongly in a market, it means that they have done a lot of market research with positive responses. Italy used to dress the most important champions in the 80’s: Fila is still very active, and, for example, Sergio Tacchini, who has suffered a large crisis recently, has now a new owner (Chinese) and intends to give new life to the brand staying strongly on tennis, where it was born.

ADC: in the seventies and eighties up to the early nineties Italian tennis and winter sports brands such as Fila, ellese, Diadora, Australian, Lotto and Sergio Tacchini were dominating the endorsement market appearing on the screens as almost bigger than brands such as adidias, Puma, Lacoste, Le Coque Sportif and Asics. How do you explain the dominance that Nike has on the market nowadays and can you tell us what happend to ellesse since it virtually disappeared as an endorsement brand?

Marco Mazzoni: The large American brands lnke Nike and Reebok have kept on high levels thanks to the internal American market, allowing them to sponsor their greatest champions: Agassi and Sampras. They had had more aggressive marketing campaigns than their competitors, and have better survived to the International crisis in the past years. The important Italian brands, like Ellesse and Tacchini, were familiar enterprises, grown a lot during the 80’s with the explosion of sportsware market, but upon globalization they have not been able to keep the step of big brands. I know the story of Ellesse quite well, the historical brand from Perugia tried to avoid producing in the far East, but also because of this in the end it was not posible to keep the enterprise alive and the owners were forced to sell it to a large American company.

Monfils, Tsonga, Nalbandian, Murray, Monfils
Monfils, Tsonga, Nalbandian, Murray, Monfils


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2009/04/29


Fuzzy Yellow Eyes


let's let the images talk cuz everybody knows anyway, youtube you know. If you can't get enough then check those channels
www.youtube.com/user/neibaf3
www.youtube.com/user/krosero
www.youtube.com/user/tennis24TV
www.youtube.com/user/FYB2007
and actually we got one as well
www.youtube.com/user/AvecDoubleCordage
then if your eyes aren't completely fuzzed out after this you can always get them day glow yellow by looking up some live stream services...

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2009/03/01

Ion Tiriac and Guillermo Vilas and a few Kneissl rackets from www.80s-tennis.com

An Interview with Jens Wehrmeister of 80s-tennis.com

The first decades following the birth of "open tennis" in 1968 were the seventies and early eighties, and naturally with them came a fresh wind in the visual aspect of tennis not only in the way of playing the game. www.80s-tennis.com is a page dedicated entirely to the rackets, apparel and aesthetics of those years, we had a chat with the mind behind it, Jens Wehrmeister.


Avec Double Cordage: Jens naturally your focus is on the eighties, but particularly the early eighties stuff is a development of the innovative introductions of the seventies, when some ski brands stepped into tennis, like Rossignol and Fischer. Can you tell us a bit about some of the names that expanded form winter sports into tennis?

Jens Wehrmeister: Indeed, there were a couple of European ski brands stepping into tennis in the seventies, amongst them several Austrian companies. Let me pick out three ski & tennis companies and tell you a little bit about their history. One has to mention Head in the first place here I think, because Howard Head was one of the most ingenious and versatile sports engineers ever, having contributed a lot of innovations to both the ski and tennis industry. He founded the Head Ski Company in 1948 and sold it to AMF in 1969. The Head/AMF company made itself a name as racquet producer in the 70s, when they had American top star Arthur Ashe under contract. Howard Head then became majority share-holder and chairman of the board of Prince Man. Inc. Striving to improve his own poor gameplay, Head invented the first oversize racquet Prince Classic and obtained a patent in 1976 that covered tennis racquets with size 95-135 square inches. The Prince Classic, made of aluminium, was released to the market in 1976 and became and a very popular racquet. Howard Head also pioneered the development of the legendary Prince Graphite racquet, the first racquet solely made of graphite.
Another big name is German company Völkl that was founded already in 1880. However, it took almost a century until Völkl started constructing tennis racquets. Their first one was introduced in 1972: The legendary
Völkl Zebra - the first all-fiberglass tennis racquet ever available on the market. In the late 70s, the Servo Soft type became Völkl’s best selling racquet with more than 300,000 Servo Soft frames sold on the German market alone, pretty amazing. Now I’d like to turn to my personal vintage racquet brand #1 – Kneissl. This Austrian company is even older than Völkl, founded in 1861. Between 1919 and 1921, Franz Kneissl became the first to mass-produce skis. In 1932, Kneissl was renamed as “First Austrian Ski Company”. They expanded their range of products to tennis goods in the 70s and presented the first fully synthetic tennis racquet in 1978, the White Star Pro (head size +8%), a real silver bullet with previously unknown ball acceleration power and precision, impressively demonstrated by young Czech Ivan Lendl hammering himself way up to the top with the White Star Pro. It marked the beginning of a unique chapter in the graphite racquet era, being the prototype of a lot of follow-up models by both Kneissl and Adidas (Adidas racquets were produced by Kneissl until the early 80s) that basically remained unaltered over ten years until 1987, when the very last model of the White Star Pro / White Star Masters line was launched, the White Star Master 10. All these racquets, including the famous Adidas GTX Pro Ivan Lendl and GTX Pro-T Ivan Lendl frames, were more or less merely paintjobs of the White Star Pro prototype from 1978. Nowadays it is totally inconceivable that a newly developed racquet stays on the market almost unaltered for 10 years! The very last White Star type, the White Star Masters 10 racquet, also marked the definite end of the small-headed racquet era in 1987. Back then, the Masters 10 had already been kind of exotic, the last dinosaur.

 John McEnroe, Fred Perry shoes and Fila overall
John McEnroe, Fred Perry shoes and Fila overall

 

Other ski companies entering into the tennis industry were, as already mentioned by you, Rossignol (France) and Fischer (Austria). Not to forget Fila (Italy), but their tennis racquet episode lasted only a few years from the late 70s till 1984. Fila most obviously had bigger success with their tennis clothes, thanks to their flagship player Bjorn Borg, but also a lot of other prominent tennis professionals. To my mind, in the 70s and early 80s Fila in fact made the most beautiful tennis fashion ever seen on this planet. Italian sports fashion company ellesse never produced tennis racquets, but stepped from ski into tennis fashion in 1975. Just like Fila, Ellesse released a wide range of lovely classic tennis clothes until the mid eighties, also supported by many popular players such as Guillermo Vilas, Chris Evert and Boris Becker.

ADC: Obviously not only ski brands stepped into tennis as it became a more popular sport, but also sports brands like Puma, Le Coq Sportif, Diadora and Lotto followed Adidas into tennis and some of them even produced rackets, and even Yamaha and Kawasaki rackets could be bought. Which rackets do you consider the most characteristic ones of the Nastase Borg Mac Lendl era and which are the most collectible items and which the oddest ones?

Jens Wehrmeister: This is a wide field - one can easily mention twenty types of racquets here. In general, any racquet played by top stars like McEnroe, Connors, Borg or Lendl is considered a highly collectible vintage racquet. In 2008, I wrote an article for German Tennis Magazin that covered the ten most collectible 80s tennis racquets. Naturally such a top ten selection also is a subjective thing to a certain degree. The ten most collectible 80s I chose for that article were: Donnay Borg Pro, Adidas Ivan Lendl GTX Pro & Pro-T, Dunlop Max 200 G, Puma G.Vilas, Wilson Pro Staff Mid, Rossignol F 200, Prince Graphite and PG 110, Donnay Pro One and Boris Becker Worldchampion Racket (limited edition of 3,000 pieces). While the latter was released in the mid 90s, it merely was a paintjob of the Puma Boris Becker Super, so it has its roots in the 80s. The Puma Boris Becker Super of course is highly collectible, too, just like its precursor Boris Becker Winner. Other highly collectible and charismatic 80s racquets are e.g. Slazenger Vilas V-24 (played by Guillermo Vilas and Pat Cash), Kneissl Super Pro Vario, Le Coq Sportif Concept 3 Oversize (played by Yannick Noah) and Head Prestige Pro. And then there’s the Kuebler Resonanz R 50, the first widebody racquet ever, a big triumph of German engineering skills, invented by Siegfried Kuebler, an ingenious engineer who to this day has contributed a lot of essential innovations to the racquet industry. As for collectible wood racquets, Dunlop Maxply McEnroe certainly is another must-have.

 Vilas and Tiriac in ellesse
Vilas and Tiriac in ellesse

 

With regard to highly collectible racquets of the 70s, one certainly has to pick out the famous Vilsbiburger tennis racquet with double-stringing (“spaghetti strings”). This unusual racquet, invented by Bavarian Werner Fischer and released to the market in 1976, produced an incredible, erratic topspin and overnight enabled weak players to beat stronger players. It was also used by professionals, for example Ilie Nastase. When Guillermo Vilas met Nastase for the first time with his Vilsbiburger racquet in the best of five-set final of the 1977 Aix-en-Provence tournament, he dropped the first two sets by 6–1, 7–5 and then retired in protest of Nastase's use of the Vilsbiburger racquet. Thus Nastase snapped Vilas' world record 53-match winning streak on clay courts which stood until the record was broken by Rafael Nadal in 2006. “It was really the racket,” Vilas said. “I didn’t lose against a player, I lost against a racket.” He and his coach Ion Tiriac then used their big influence on the ITF, causing it to quickly ban the Vilsbiburger racquet.

 Pirelli Technort B1 racket, MacGregor and Myriac, Diadora ad
Pirelli Technort B1 racket, MacGregor and Myriac, Diadora ad

 

As for odd racquets, there were many around in the 70s and 80s… well, the Vilsbiburger racquet certainly is an odd one. Another remarkable odd racquet was the Snauwaert Ergonom (1983) with its angular head. The Hexon Aggressor (1982) also was an absolutely unusual racquet, just like the MacGregor Bergelin Long String (1986). You can find many more examples of oddish racquets on my website under http://80s-tennis.com/pages/oddities.html

ADC: Can you tell us about Barry Borg and his treasure?

Jens Wehrmeister: That’s a strange story, and a sad story unfortunately. He contacted me one day by email and offered to send me pics of his incredible Borg collection for publication on my website 80s-tennis.com which I happily accepted. It was a big pack of printed pics I received by post, but many of these were out of focus, covered only a part of the collector’s item or had a finger covering a part of the photo. I picked out the best ones and put them on the website and politely thanked Barry for his contribution, but also very kindly drew his attention to the fact that it was a pitty many of the pics were too bad for being published. Then he started acting crazy all of sudden, heavily cursing at me and abandoning the contact. He obviously is a guy who cannot bear any kind of criticism. I never came to know who he really is and how he managed to get his hands on all these Borg treasures. I only know he is living in the USA and announced to open a “Tennis Borg Museum”, but as far as I can see, this hasn’t happened yet.

 Barry Borg's treasure
the treasure of Barry Borg

 

ADC: There are many tennis collectors out there and lots of web-sites on the matter like www.raqueta.net from Spain, can you name a few more and tell us the stories behind them?

Jens Wehrmeister: I cannot tell you much about other racquet collector websites, that’s their job I think, but certainly about the vintage racquet collectors who are contributing to the racquet gallery on my website so busily. Collecting vintage racquets is a worldwide affair, I receive emails from all over the world. Many of these people are located in the USA, Asia and Italy. The typical vintage racquet collector is aged +40 and male. This is why I was so happy when Virginia, a collector from New Zealand with a great 300+ collection of racquets, got in touch with me. She has a great passion for 70s/80s racquets. Soon there was a second female contributor, Marina Gorena from Argentina. My main contributor is Massimo from Italy, a guy with immense dedication who has an amazing collection of virtually all 70s/80s vintage racquet must-haves – and they are all brand new, apart from a very few “only” mint exemplars! He keeps on sending in pics of newly bought racquets all the time, although already a year ago he declared that he considered his collection finished. But I think he has meanwhile realised that the next racquet never is the last racquet… There’s always one more racquet that he previously didn’t know or see and wants to add to his collection. Indeed, collecting vintage racquet is a matter of passion and nostalgy, many get heavily infected with the collector’s virus and can never stop. And why should they? Well, space often becomes an issue at a certain point… Other great collectors (and contributors to my site), I know are Bob (USA), Rodney (Australia), Jaap (The Netherlands) and Andrè (Belgium), amongst others. A big thank you to you and all the other contributors of my site!

ADC: What about vintage tournaments?

Jens Wehrmeister: I have to admit I never took part in any vintage tournament and also haven’t paid that much attention to this topic so far. I know that in several countries there are vintage tournaments in local tennis clubs sometimes, at which everybody has to use a wood racquet for example, and possibly also dress in authentic 70s/80s tennis apparel. I would like to organise a small vintage tournament one day and invite all my website contributors to this event. That would be a nice get-together.

 Fila racket
Fila racket

 

ADC: Tennis in Germany had a sudden boom with Boris Becker's win in Wimbledon, apparently in 1985 there was only one German journalist to cover Wimbledon, the year after almost every German news paper had someone there. What is the state of German tennis now, and what do you think are the reasons behind its current condition?

Jens Wehrmeister: I fear we will never experience this unique historic situation again in Germany that we had both an extraordinary male and extraordinary female champion at the same time from the mid 80s until the late 90s: Boris Becker and Steffi Graf. But the dominance of these superb players concealed the fact that there was not so much behind them, no other world’s no. 1 candidate, apart from Michael Stich, who ranked second in 1994 on the ATP world ranking and won Wimbledon in 1991. Before and after Boris and Steffi, German tennis produce many good players, but no champions. The male generation after Boris, led by Tommy Haas and Nicolas Kiefer, was quite promising and had much more potential than the female generation that came after Steffi. Haas managed to become world’s no. 2 and Kiefer world’s no. 4, but none of them has ever reached a Grand Slam final, to say nothing of winning at Grand Slam title. They both have been plagued by many severe injuries during their career, this certainly was a big hindrance. But it is most evident they both just don’t have Becker’s calibre. Presently Haas and Kiefer, both over 30, are once again back on the ATP tour, trying to gain ground again.

 Snauwaert Ergonom racket, Puma California shoe, Fila shorts
Snauwaert Ergonom racket, Puma California shoe, Fila shorts

 

Another veteran German player is Rainer Schüttler (32), who at least reached a Grand Slam Final in 2003, when he lost to Agassi at the Australian Open and ranked ATP no. 5, but only had this one outstanding season. After frustrating years with many injuries and round one losses, Schüttler had a marvellous comeback at Wimbledon 2008, when he surprisingly made it into the semis. The younger generation is lead by Philipp Kohlschreiber (25), a great technician, but inconsistent player who also lacks self-criticism. But this generation seems to be even weaker than the Haas/Kiefer generation. Not to mention the ladies – after Steffi Graf’s demission in 1999, the German ladies tennis has degenerated into total insignificance. I’m not an expert with contemporary German tennis, but some people complain that we don’t have a national elite youth training centre like the French have at the Roland Garros stadium in Paris that produced ambitious top ten players such as Tsonga, Monfils, Simon and Mathieu. In Germany, all of the 16 federal states do have their own elite youth training centre, and two of them even have two. There was an attempt in the past, though, to establish a national elite youth tennis centre in Hannover, but it didn’t work for some reasons and was abandoned in 2007.

ADC: In Sweden Tennis is currently suffering a low after the post Borg Wilander Edberg era, but sure there must have been a few brands coming from Sweden supporting the high times. Can you tell us something about those little known Swedish brands and also some details about Tretorn which at a certain point produced everything from shoes to racket and not only balls.

Jens Wehrmeister: Tretorn was constructing tennis racquets already in the 60s, when they released an odd metal racquet to the market that could be dismantled into single parts. But it didn’t succeed in the market, and also the other racquets produced by Tretorn in the 60s and 70s weren’t big sellers. The most popular tennis product manufactured by Tretorn to this day is their unpressurised tennis ball that lasts for ages. In the 70s and 80s, Tretorn had Bjorn Borg under contract, for some years, the Swede champion wore Tretorn tennis shoes at tournaments in the USA and Tretorn clogs all over the world. In the mid 80s, there was an advertising campaign with Borg praising unpressurised Tretorn tennis balls.

 Lacoste metal raquet
Lacoste metal racquet

ADC: Some rackets just seem to be timeless and somehow Connors is involved in one way or the other, the Wilson T2000 stemming from a much older Lacoste racket stepped through the ages thanks to him. When you think about the Wilson Pro Staff racket that Connors introduced in the early eighties and then went from Edberg to Sampras and Courier and eventually to Federer it seems like the game needed more than a decade to adapt to the sudden jump of technology that happened in the early eighties, the Prince Original Graphite has a similar story dating back to the early eighties and then passing through the hands of Agassi and Chang and still now there are players like Xavier Malisse using rackets based on it, also the Head Prestige rackets sure saw quite some paint jobs. Do you think the Babolat Pure Drive which also dates back some years to the Pro Kennex Destiny mold could have a similar story?

Jens Wehrmeister: Without a doubt, the Babolat Pure Drive already is a modern classic. There was a “The ten greatest racquets of all time“ article last year in Tennis Magazine that chose the Pure Drive as one of the ten greatest racquets ever. That caused a controversial discussion, as many people were complaining other racquets had more legitimation to be included in the top ten list. Frankly I didn’t know the Pure Drive dates back to the Pro Kennex Destiny mold… but I think you are right that its history is comparable to the one of the Wilson Pro Staff or Prince Original Graphite racquet.

 Fila rackets
Fila rackets

 

ADC: To a certain degree what Borg and Fila were in the seventies and early eighties, Agassi and Nike were in the late eighties and early nineties, introducing new colors and styles like the worn out jeans shorts, pirate bandana and black shoes, all things that Nadal took a couple of steps further. What do you consider the most remarkable or odd innovations in tennis equipment to surface in the nineties?

Jens Wehrmeister: Guess what? I really can’t tell. In the early 90s, I stopped playing competitive tennis, and tennis took a back seat, although of course I kept on watching tennis on television and played a little bit on an irregular basis. But I kind of overslept the nineties and developed my passion for vintage tennis as late as 2005, when I started collecting 80s tennis racquets and fashion pieces, gradually developing a real sense for tennis technology and fashion. But it is mainly focused on the 80s – “my era”, the decade in which I started playing tennis myself - and also the 70s. It is possible though, that I will shift to the 90s as well one day, rediscovering another era.

 Estusa
Estusa Boris Becker racket

 

ADC: One of the more obscure brands to surface in the nineties was Estusa with Becker and Connors, what is the story behind it and do you know of any similar corss overs like the Nordica one that for a short time in the early nineties appeared on the tennis courts with Anke Huber, and seemed to follow the path of the eighties ski brands.

Jens Wehrmeister: Let me focus on Estusa. Taiwanese “Estusa Corporation“ was founded in 1984 by Jackson Tse, a learnt aircraft engineer. The name Estusa is a combination of “Tse” spelled vice versa and “USA”. The company produced tennis, squash and racquet ball frames. Estusa tennis racquets were manufactured in a factory (1000 employees) in Taichung (Taiwan), 75,000 pieces per month in 1990. In 1987, the “Estusa” company presented itself at the International Sporting Goods Fair (ISPO) in Munich for the first time. But Estusa’s breakthrough on the European market did not happen before the company managed to contract Boris Becker in 1990 and one year later also Jimmy Connors. For a five years contract, Becker was supposed to pocket 12 million US$. But in the first contract year, Becker continued playing the Puma Boris Becker Super with the Estusa logo sprayed onto the strings - he wasn’t satisfied with the Estusa Boris Becker Advantech racquet prototypes that were developed for him. This was possible thanks to a respective clause in Becker’s contract. Estusa had promised to precisely rebuild the Puma Boris Becker Super racquet for him, and there was any reason to believe they would quickly fulfil this task, as the Taiwanese had secured the services of German Günter Adam, the former chief racquet engineer of Puma, creator of all the Puma racquets developed for Vilas and Becker! When he left Puma, Adam had secured the right to pass the licenses for the racquet patents he had invented on to another company. In the end, Becker totally abandoned the Boris Becker Advantech line and Adam succeeded in delivering an exact copy of the Puma BB Super when creating the Estusa Boris Becker ProVantech PB that also had the same design and colours, only the inscriptions were different. It was not before 1991 though that Becker finally switched to a real Estusa racquet, the BB ProVantech PB - but he played it only for four months, according to his longtime stringer Uli Kühnel. So the liason between Estusa and Boris Becker wasn’t meant to last very long, in 1992, the contract was cancelled early. Estusa Boris Becker Advantech and particularly Boris Becker Provantech PB racquets are highly collectible, just like the bright yellow Estusa Pro Legend Classic that is inseperably linked to Jimmy Connors’ sensational 1991 US Open appearance, when he made it into the semis at the age of 39.

ADC: For most people that own some vintage racquets or apparel there's hardly anything they would trade them for, even though they are not really of any practical use, which are your treasures and which are the ones you are still looking for?

Jens Wehrmeister: I own a lot of the collectible 70s/80s racquets mentioned above. But there’s a special collection within the collection, and that is my “White Star Pro frame like” collection, consisting of almost all +8%-10% head size Kneissl and all respective Adidas frames. Only one is missing: The white version of the Kneissl Super Pro Vario racquet! I’ve been searching for years, but cannot find it… if somebody owns one and wants to sell it, please don’t hesitate to contact me contact@80s-tennis.com . With regard to vintage tennis fashion, I have many nice Fila Borg Bj and Ellesse clothes that I mostly wear off-court, as 80s casual fashion. They are just too precious…

 Estusa ProVantech, Sergio Tacchini jumper, Kneissl White Star
Estusa ProVantech, Sergio Tacchini tank top, Kneissl White Star


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